In addition, in the years following 1908 his films suffered from the fashions of the time, as the fanciful magic films he made were no longer in vogue. 2 June 2020 8.00 pm. Finally, Méliès offered to let one such exhibitor borrow a print of the film to screen for free. A film restored by Lobster Films, la Fondation Groupama Gan pour le Cinéma and la Fondation Technicolor pour le Patrimoine du Cinéma. , In addition to these literary sources, various film scholars have suggested that Méliès was heavily influenced by other works, especially Jacques Offenbach's operetta Le voyage dans la lune (an unauthorised parody of Verne's novels) and the A Trip to the Moon attraction at the 1901 Pan-American Exposition in Buffalo, New York. Die Bilder von Die Reise zum Mond wurden in den letzten hundert Jahren immer wieder zitiert.  Méliès himself took considerable interest in musical accompaniment for his films, and prepared special film scores for several of them, including The Kingdom of the Fairies and The Barber of Seville. Damit Ihnen zuhause die Entscheidung etwas leichter fällt, haben unsere Produktanalysten auch noch den Testsieger gewählt, welcher ohne Zweifel von allen Le voyage dans la lune beeindruckend hervorsticht - vor allem im Testkriterium Preis-Leistung. It was released on 6 February 2012 by Virgin Records . Le_Voyage_dans_la_lune_(black_and_white,_1902) ... Georges Méliès: le premier magicien du cinéma: Urheber: Georges Méliès (1861–1938) Alternative Namen: Georges Melies: Beschreibung: französischer Filmemacher: Geburts-/Todesdatum: 8. The museum's acquisition and subsequent screenings of A Trip to the Moon, under the direction of MoMA's film curator Iris Barry, opened the film up once again to a wide audience of Americans and Canadians and established it definitively as a landmark in the history of cinema. Paukenschläge künden gleich zu Beginn des ersten Stücks Astronomic Club von der neuen Gangart. Damals wurden noch keine Zwischentitel zur Erläuterung der Handlung eingesetzt, doch hatte Méliès einen Text vorbereitet, der häufig zur Begleitung der Vorführungen vorgelesen wurde (und auf einigen amerikanischen DVD-Veröffentlichungen zu hören ist). In Cannes feierte die restaurierte Fassung samt neuem Soundtrack 2011 Premiere - Méliès wäre 150 Jahre alt geworden. 31 May 2020 Pour les enfants relax 3.00 pm. The office was designed to sell Méliès's films directly and to protect them by registering them under United States copyright. It features an ensemble cast of French theatrical performers, led by Méliès himself in the main role of Professor Barbenfouillis, and is filmed in the overtly theatrical style for which Méliès became famous. With Joseph Evans, Marie McLaughlin, Monique Barscha, Michel Trempont. , Because Méliès does not use a modern cinematic vocabulary, some film scholars have created other frameworks of thought with which to assess his films. These prints were occasionally screened at retrospectives (including the Gala Méliès), avant-garde cinema showings, and other special occasions, sometimes in presentations by Méliès himself. 11 tracks (32:07). , A Trip to the Moon was met with especially large enthusiasm in the United States, where (to Méliès's chagrin) its piracy by Lubin, Selig, Edison and others gave it wide distribution.  A mask-making specialist, probably from the major Parisian mask- and box-making firm of the Maison Hallé, used these moulds to produce cardboard versions for the actors to wear. The astronomers run back to their capsule while continuing to hit the pursuing Selenites, and five get inside. Addeddate 2018-07-29 17:47:42 Closed captioning no Color color Dalymotion …  One of the backdrops for the film, showing the inside of the glass-roofed workshop in which the space capsule is built, was painted to look like the actual glass-roofed studio in which the film was made.  Méliès was often uncredited altogether; for the first six months of the film's distribution, the only American exhibitor to credit Méliès in advertisements for the film was Thomas Lincoln Tally, who chose the film as the inaugural presentation of his Electric Theater. They were paid one Louis d'or per day, a considerably higher salary than that offered by competitors, and had a full free meal at noon with Méliès.  Méliès also sold the film indirectly through Charles Urban's Warwick Trading Company in London. , Méliès's film studio, which he had built in Montreuil, Seine-Saint-Denis in 1897, was a greenhouse-like building with glass walls and a glass ceiling to let in as much sunlight as possible, a concept used by most still photography studios from the 1860s onward; it was built with the same dimensions as Méliès's own Théâtre Robert-Houdin (13.5 × 6.6 m).  It can also be described simply as a trick film, a catch-all term for the popular early film genre of innovative, special effects-filled shorts—a genre Méliès himself had codified and popularised in his earlier works. ", As A Short History of Film notes, A Trip to the Moon combined "spectacle, sensation, and technical wizardry to create a cosmic fantasy that was an international sensation. ", In addition to the opening of the American branch, various trade arrangements were made with other film companies, including American Mutoscope and Biograph, the Warwick Trading Company, the Charles Urban Trading Co., Robert W. Paul's studio, and Gaumont. Le Voyage Dans la Lun (A Trip to the Moon) by Georges Méliès (1902) George Melies's `A Trip to the Moon' welcomes a change in film making of the twentieth century. Its unusual length, lavish production values, innovative special effects, and emphasis on storytelling were markedly influential on other film-makers and ultimately on the development of narrative film as a whole. The applause from the very first showing was so enthusiastic that fairgoers kept the theatre packed until midnight. Méliès carefully spliced the resulting shots together to create apparently magical effects, such as the transformation of the astronomers' telescopes into stools or the disappearance of the exploding Selenites in puffs of smoke.  The film makes no pretense whatsoever to be scientifically plausible; the real waves in the splashdown scene are the only concession to realism. Die Kapsel wird von einigen attraktiven Damen wie bei einem Hinterlader in die Kanone geschoben. Consequently, Bromberg and Lange themselves set to work separating the film frames, discovering that only the edges of the film stock had decomposed and congealed together, and thus that many of the frames themselves were still salvageable. Er gilt als bekanntester Film von Méliès. Le voyage dans la lune - Der Gewinner unserer Produkttester. Each worker was assigned a different color in assembly line style, with more than twenty separate colors often used for a single film. Exhausted by their journey, they unroll their blankets and sleep. Though the attraction style of filmmaking declined in popularity in favour of a more integrated "story film" approach, it remains an important component of certain types of cinema, including science fiction films, musicals, and avant-garde films. Though the film disappeared into obscurity after Méliès's retirement from the film industry, it was rediscovered around 1930, when Méliès's importance to the history of cinema was beginning to be recognised by film devotees. Inspired by a wide variety of sources, including Jules Verne's 1865 novel From the Earth to the Moon and its 1870 sequel Around the Moon, the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. In addition to their work as cameramen, Méliès's operators also did odd jobs for the company such as developing film and helping to set up scenery, and another salaried operator, François Lallement, appeared onscreen as the marine officer. referencing Le Voyage Dans La Lune, 4x12", Album + DVD-V + Box, Ltd, Num, VF043 The reason this hasn't sold on Discogs in over 2 years is, as mentioned below, that it is still available for sale from The Vinyl factory website brand new (£167 as of Febrauary 2020). Es existieren viele verschiedene Fassungen des Films. Le voyage dans la lune - Die preiswertesten Le voyage dans la lune ausführlich verglichen In der folgende Liste sehen Sie als Kunde unsere absolute Top-Auswahl von Le voyage dans la lune, bei denen der erste Platz den Favoriten darstellt. In 1917, his offices were occupied by the French military, who melted down many of Méliès's films to gather the traces of silver from the film stock and make boot heels from the celluloid. EMI VÖ: 3.02. Endlich ist es so weit, dass die Astronauten mit ihren Regenschirmen die Kapsel besteigen können. Andere Filmproduzenten veröffentlichen Schwarzkopien des Films unter anderen Namen, so wurde Die Reise zum Mond auch als A Trip to Mars aufgeführt. Parodiert wird diese Szene in der letzten Folge von Futurama. The final sequence (missing from some prints of the film) depicts a celebratory parade in honour of the travellers' return, including a display of the captive Selenite and the unveiling of a commemorative statue bearing the motto "Labor omnia vincit".[h]. 27 May 2020 Pour les enfants 8.00 pm.  By contrast, Méliès hired his actors on a film-by-film basis, drawing from talented individuals in the Parisian theatrical world, with which he had many connections. Abschließend tanzt man Ringelreihen um eine Statue, die Barbenfouillis und der Wissenschaft zu Ehren errichtet wurde. Dezember 1861 21.  In a 1940 interview, Edwin S. Porter said that it was by seeing A Trip to the Moon and other Méliès films that he "came to the conclusion that a picture telling a story might draw the customers back to the theatres, and set to work in this direction. When A Trip to the Moon was made, film actors performed anonymously and no credits were given; the practice of supplying opening and closing credits in films was a later innovation. In der Stadt werden die Abenteurer wie Helden empfangen und begeistert gefeiert. , After Méliès's financial difficulties and decline, most copies of his prints were lost. Unser Team wünscht Ihnen schon jetzt eine Menge Spaß mit Ihrem Le voyage dans la lune! Selbstverständlich ist jeder Le voyage dans la lune unmittelbar im Internet zu haben und gleich bestellbar. An original hand-colored print was discovered in 1993 and restored in 2011.  In The New York Times, A. O. Scott called the restoration "surely a cinematic highlight of the year, maybe the century. Jacques Offenbach. The flag waved during the launching scene in this copy is colored to resemble the flag of Spain, indicating that the hand-colored copy was made for a Spanish exhibitor. Außerdem bewarb Méliès den Film in seinem Katalog mit insgesamt 30 Kapitelüberschriften, die einen Überblick über die Handlung geben.  The film has been evoked in other creative works many times, ranging from Segundo de Chomón's 1908 unauthorised remake Excursion to the Moon through the extensive tribute to Méliès and the film in the Brian Selznick novel The Invention of Hugo Cabret and its 2011 Martin Scorsese film adaptation Hugo. , In order to combat the problem of film piracy that became clear during the release of A Trip to the Moon, Méliès opened an American branch of the Star Film Company, directed by his brother Gaston Méliès, in New York in 1903. A Selenite tries to seize the capsule at the last minute.  A substitution splice allowed a model capsule to suddenly appear in the eye of the actor playing the Moon, completing the shot. Dies kann man, in der Futurama-typischen-Art, als Hommage verstehen. A group of wizards go to the moon in this 1902 film. Das Video „Tonight, Tonight“ der Smashing Pumpkins (1995) lehnt sich stilistisch daran an. Dates . A Trip to the Moon (French: Le Voyage dans la Lune) is a 1902 French adventure short film directed by Georges Méliès. Auf einem Kongress der Astronomischen Gesellschaft stellt Professor Barbenfouillis den Plan vor, mit einer von einer gigantischen Kanone abgeschossenen Kapsel zum Mond zu fliegen. Dezember 2020 um 08:28 Uhr bearbeitet. , A Trip to the Moon is highly satirical in tone, poking fun at nineteenth-century science by exaggerating it in the format of an adventure story. No. Diese Seite wurde zuletzt am 21.  However, several other genre designations are possible; Méliès himself advertised the film as a pièce à grand spectacle, a term referring to a type of spectacular Parisian stage extravaganza popularised by Jules Verne and Adolphe d'Ennery in the second half of the nineteenth century.  Nonetheless, the following cast details can be reconstructed from available evidence: When asked in 1930 what inspired him for A Trip to the Moon, Méliès credited Jules Verne's novels From the Earth to the Moon (1865) and Around the Moon (1870). … 29 May 2020 Pour les enfants 8.00 pm. " Similarly, D. W. Griffith said simply of Méliès: "I owe him everything. Le Voyage dans la Lune (opéra-féérie); Le voyage dans la lune (opéra-féerie); Le Voyage dans la Lune (opera-feerie) Authorities Wikipedia; BNF: 13916748q: Composer Offenbach, Jacques: I-Catalogue Number I-Cat. Dabei entgingen ihm allerdings die Einnahmen durch den Vertrieb des Films in den Vereinigten Staaten, da Techniker von Edisons Filmstudio heimlich Kopien des Films anfertigten und in den USA veröffentlichten. [n] In France, black-and-white prints sold for ₣560, and hand-colored prints for ₣1,000.  The film scholar Alison McMahan calls A Trip to the Moon one of the earliest examples of pataphysical film, saying it "aims to show the illogicality of logical thinking" with its satirically portrayed inept scientists, anthropomorphic moon face, and impossible transgressions of laws of physics. Top 200 … André worked at the, This page was last edited on 25 November 2020, at 21:34. Im Jahre 2002 wurde eine vollständige Kopie des Films in Frankreich entdeckt, die zudem komplett handkoloriert ist. The exhibitor bought the film immediately, and when he was reminded of his initial reluctance he even offered to add ₣200 to compensate "for [Méliès's] inconvenience. Anders als Auguste und Louis Lumière war Méliès von Anfang an fasziniert von den Möglichkeiten, mit Hilfe des Films fantasievolle Geschichten zu erzählen. Les Estivales de Puisaye présentent Le Voyage dans la Lune, Opéra-féérie de Jacques Offenbach. 1875-11-26 Paris: Théâtre de la Gaîté First Pub lication.  The film scholar Elizabeth Ezra agrees that "Méliès mocks the pretensions of colonialist accounts of the conquest of one culture by another," and adds that "his film also thematizes social differentiation on the home front, as the hierarchical patterns on the moon are shown to bear a curious resemblance to those on earth.  Throughout his film career, Méliès worked on a strict schedule of planning films in the morning, filming scenes during the brightest hours of the day, tending to the film laboratory and the Théâtre Robert-Houdin in the late afternoon, and attending performances at Parisian theatres in the evening. Le professeur Barbenfouillis et six autres savants s'organisent pour une expédition sur la lune. One astronomer opens his umbrella; it promptly takes root and turns into a giant mushroom itself. Salle Favart. François Lallement as the officer of the marines. 2012 komponierte Stephan König eine Filmmusik, die vom Leipziger Kammerorchester artentfaltung am 1. Wir als Seitenbetreiber haben uns dem Lebensziel angenommen, Produktpaletten verschiedenster Variante ausführlichst zu analysieren, damit Sie als Kunde unmittelbar den Le voyage dans la lune auswählen können, den Sie zuhause möchten. Die Story orientiert … Hingegen wird oftmals fälschlich dem Méliès-Film eine Sequenz zugeordnet, bei der der geöffnete Mund des Mondgesichtes Ziel des Raumflugs ist; hierbei handelt es sich aber tatsächlich um Szenen des Films Excursion dans la lune, gedreht im Jahr 1908 vom spanischen Filmpionier Segundo de Chomón, dessen Stil an Méliès' Vorbild orientiert war. It is widely regarded as the earliest example of the science fiction film genre and, more generally, as one of the most influential films in cinema history. Barbenfouillis wippt die Kapsel auf dem Rand eines offenbar bodenlosen Abgrundes, doch erst der Sprung eines sich rittlings auf die Kapsel festklammernden Seleniten stürzt sie hinab, Richtung Erde. Nach dem feierlichen Hissen der französischen Trikolore wird die Lunte an der Kanone angezündet und die Kapsel abgeschossen. Le voyage Dans La Lune (1902) by Georges Méliès.  The film scholar Matthew Solomon notes that the last part of the film (the parade and commemoration sequence missing in some prints) is especially forceful in this regard. Le Voyage dans la Lune (sh. Barbenfouillis is French for "Tangled-Beard". Combined with live action as well as models, the movie tells a story about astronauts who take a trip to the moon. Le voyage dans la Lune. For the opéra féerie, see, Uncropped production still from the film, showing the edges of the backdrop and the floor of the studio, The scene as it appears in the hand-colored print of the film, Proper names taken from the authorized English-language catalogue description of the film: see.  Rather than attempting to move his weighty camera toward an actor, he set a pulley-operated chair upon a rail-fitted ramp, placed the actor (covered up to the neck in black velvet) on the chair, and pulled him toward the camera. , Thanks to the efforts of film history devotées, especially René Clair, Jean-George Auriol, and Paul Gilson, Méliès and his work were rediscovered in the late 1920s.  The film historian Richard Abel believes Méliès aimed in the film to "invert the hierarchal values of modern French society and hold them up to ridicule in a riot of the carnivalesque". We will not speak twice, we will act! , The restored version premiered on 11 May 2011, eighteen years after its discovery and 109 years after its original release, at the 2011 Cannes Film Festival, with a new soundtrack by the French band Air. The film was an internationally popular success on its release, and was extensively pirated by other studios, especially in the United States. It is loosely based on two popular novels of the time: From the Earth to the Moon by Jules Verne and The First Men in the Moon by H. G. Wells.It was written and directed by Georges Méliès, assisted by his brother Gaston.The film lasts 14 minutes, if projected at 16 frames per second. Er gilt als bekanntester Film von Méliès. , As with at least 4% of Méliès's output (including major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville), some prints of A Trip to the Moon were individually hand-colored by Élisabeth Thuillier's coloring lab in Paris. , A Trip to the Moon was one of the most popular films of the first few years of the twentieth century, rivalled only by a small handful of others (similarly spectacular Méliès films such as The Kingdom of the Fairies and The Impossible Voyage among them). In der Episode Seine erste Reise zum Mond (eine Anspielung auf den Filmtitel) der Science-Fiction-Zeichentrickserie Futurama wirft Bender eine Bierflasche in das linke Auge von Craterface (deutsch: Kratergesicht).  The digitised fragments of the hand-colored print were reassembled and restored, with missing frames recreated with the help of a black-and-white print in the possession of the Méliès family, and time-converted to run at an authentic silent-film speed, 14 frames per second. Um Ihnen zuhause bei der Produktauswahl etwas unter die Arme zu greifen, hat unser Team abschließend unseren Favoriten ernannt, der ohne Zweifel aus all den getesteten Le voyage dans la lune enorm hervorsticht - insbesondere im Testkriterium Verhältnis von Qualität und Preis. Eine Episode der von Tom Hanks produzierten Fernsehserie From the Earth to the Moon widmet sich der Produktion des Films und stellt Méliès' Visionen die letzte bemannte Mondlandung von Apollo 17 gegenüber. " The film was a pronounced success in France, running uninterrupted at the Olympia music hall in Paris for several months.  A complete version of the film, including the entire celebration sequence, was finally reconstructed in 1997 from various sources by the Cinémathèque Méliès, a foundation set up by the Méliès family. The restoration was completed in 2011 at Technicolor's laboratories in Los Angeles. #LeVoyageDansLaLune. The Man in the Moon watches the capsule as it approaches, and it hits him in the eye.[g]. He argues that Méliès, who had previously worked as an anti-Boulangist political cartoonist, mocks imperialistic domination in the film by presenting his colonial conquerors as bumbling pedants who mercilessly attack the alien lifeforms they meet and return with a mistreated captive amid fanfares of self-congratulation. More Selenites appear and it becomes increasingly difficult for the astronomers to destroy them as they are surrounded. Copies of the print spread to other firms, and by 1904 Siegmund Lubin, the Selig Polyscope Company, and Edison were all redistributing it. Legris was a magician who performed at Méliès's theatre of stage illusions, the, Victor André, Delpierre, Farjaux, Kelm, and Brunnet as the astronomers. Scholars have commented upon the film's extensive use of pataphysical and anti-imperialist satire, as well as on its wide influence on later film-makers and its artistic significance within the French theatrical féerie tradition.  Richard Abel describes the film as belonging to the féerie genre, as does Frank Kessler.  It was his longest film at the time;[i] both the budget and filming duration were unusually lavish, costing ₣10,000 to make and taking three months to complete. Inspired by a wide variety of sources, including Jules Verne's 1865 novel From the Earth to the Moon and its 1870 sequel Around the Moon, the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Sadoul argued that the first half of the film (up to the shooting of the projectile) is derived from Verne and that the second half, the travellers' adventures on and in the Moon, is derived from Wells. , Many circumstances surrounding the film—including its unusual budget, length, and production time, as well as its similarities to the 1901 New York attraction—indicate that Méliès was especially keen to release the film in the United States. " Since these American directors are widely credited with developing modern film narrative technique, the literary and film scholar Edward Wagenknecht once summed up Méliès's importance to film history by commenting that Méliès "profoundly influenced both Porter and Griffith and through them the whole course of American film-making. All dates. , No hand-colored prints of A Trip to the Moon were known to survive until 1993, when one was given to the Filmoteca de Catalunya by an anonymous donor as part of a collection of two hundred silent films. Hier wachsen riesige Pilze, und als Barbenfouillis seinen Regenschirm in den Boden rammt, verwandelt sich der Schirm in einen immer größer werdenden Pilz. In dem folgenden Gerangel gelingt es den Helden, zu fliehen und zur Kapsel zurückzukehren. The story uses impressive animation and special effects for a 1902 silent movie. Mauclaire obtained a copy from Paris in October 1929, and LeRoy found one from London in 1930, though both prints were incomplete; Mauclaire's lacked the first and last scenes, and LeRoy's was missing the entire final sequence featuring the parade and commemorative statue. Mit Le Voyage Dans La Lune passiert dies gewiss nicht!  From September through December 1902, a hand-colored print of A Trip to the Moon was screened at Méliès's Théâtre Robert-Houdin in Paris. , Similarly, Tom Gunning has argued that to fault Méliès for not inventing a more intimate and cinematic storytelling style is to misunderstand the purpose of his films; in Gunning's view, the first decade of film history may be considered a "cinema of attractions," in which filmmakers experimented with a presentational style based on spectacle and direct address rather than on intricate editing. Martin Scorseses Film Hugo Cabret greift die Geschichte von Georges Méliès auf und zeigt einige Originalfilmszenen. Directed by Jean Bovon.  This kind of nonlinear storytelling—in which time and space are treated as repeatable and flexible rather than linear and causal—is highly unconventional by the standards of Griffith and his followers; before the development of continuity editing; however, other filmmakers performed similar experiments with time.